James Levine conducted Wozzeck at the Met on Saturday night. Backlit from the pit, his crazy Jew fro turned into this blinding halo, as if he had floated down from heaven just for the occasion, just for us. All of Wozzeck was divine, but during this short interlude towards the end of the piece… I couldn’t breathe. It was physically impossible. I kept leaning forward in my seat, mouth agape, in awe. Turned out he truly was heaven sent and through his conducting had opened the roof of the Met and summoned God to descend and warn us that we could be Wozzeck, that we are all Wozzecks now. Beware.
I listened to this section on repeat on the train ride home tonight, continually rewinding to relish in the horn climax specifically. As I jaywalked across Third Avenue, the horns blaring, timpani drum accenting the judgment, I thought: This is how I want to die, to sounds this glorious and epic. I looked up and saw the M103 barreling towards me, jostled back to reality and sprinted away from the red moon, to the safety of the curb.